Silent Messages, Unforgettable Drama At FIFA World Cup

A silent message, an unforgettable scene at the FIFA World Cup

England players kneel down before kicking off Iran

They call football a beautiful game, and the great moments from its biggest show, the World Cup, stay in the mind like jewelry.

Think of Geoff Hurst slotting home into the net at Wembley to secure England’s only victory in 1966; or Argentina’s Diego Maradona dancing the tango with England defenders in 1986 before scoring the best goal in the competition’s history.

Some sports can be matched by their numbers: baseball, cricket. But football — or soccer, as most of the world knows it — comes to life in one captivating moment, a second of unforgettable drama.

This was true of the start of the Qatar tournament, although not necessarily in the way commentators expected. Meanwhile, it is a theater of representation, and a global audience of millions of people have seen extraordinary political events – and to register those who did not, in the end, appear. This competition has been a clear reminder that the silent message is the declaration of those who cannot, and often, do not work well.

Before their opening match against England, Iran’s national team refused to sing their national anthem, a bold act of defiance aimed at the eyes of the Tehran regime, and the team’s strong home supporters. It followed months of unrest over the death of Iranian teenager Mahsa Amini, who was arrested by the country’s “virtue police” for allegedly violating a strict dress code. Iranian authorities say he died of a heart attack, but many believe he was killed, beaten by police.

In the UK, Anglo-Iranian comedian and actor Omid Djalili encouraged England players to cut their hair after scoring a goal. The “hair snip” has become a symbol of rebellion in Iran, where women shave their heads and burn their hijabs.

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The movement was rejected by the party. But the players took a knee before leaving Iran. This protest action is now an established feature of the Premier League game in England, although it has its critics in the UK and the US, where it originated.

The captain of England, Harry Kane, and his Welsh counterpart Gareth Bale, have indicated that they want to wear the “One Love” shirt in the game. Many expected to see this as a show of solidarity with those in Qatar (and elsewhere) who face severe penalties for openly expressing their sexuality. But FIFA, the world governing body for football, warned that a player displaying such a sign could face a penalty in the form of a booking. FIFA has authorized “non-discrimination” arms.


Here’s a great video on the mix between England and Iran, and all before kick-off!

For the voiceless, the silent protest was a powerful statement of opposition. There is a strong implacability about him. Mothers of missing persons in Chile had a global sensation in the 1970s as they held up pictures of their missing children without a word. Peaceful protests in Tahrir Square, Egypt, in 2011 helped bring down President Mubarak, who became the first Arab leader to be tried in a civil court like any other citizen.

Unspoken discipline has become an art of society where words cannot be spoken clearly. In 2008, the Chinese humanitarian and artist Ai Weiwei, who lives in Portugal today, was welcomed by the Beijing government to work on the Bird’s Nest stadium for the Olympic Games, the only candidate The World Cup is like the world’s favorite thing.

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But while working in China, Ai also developed a series of pots with subtle satirical messages. His Coca-Cola vases combine the iconic soda with ceramics created in the tradition of Ai’s homeland. Without making it obvious, the artist’s criticism of the Chinese government falls between the country’s long history and the end of the world’s hegemony. In this, Ai was saying what he would only be able to say now that he lives in a foreign country.

Accommodating the dominant, sensitive to every detail, real or imagined, has been a formidable challenge in the history of art. The Spanish master Goya is often described as a court painter, as if he were a patron of the royal government of Madrid. But many critics say that one of his paintings of a poor royal family, “Charles V of Spain and His Family” (1800-1801), is a satirical depiction of a weak king. and his relatives.

This picture is also an homage to the Spanish court masterpiece, Velazquez’s “Las Meninas” (1656). If the Goya award is not in the same group, it is good, and there is no choice of royals, or so the artist says.

Russian composer Dmitri Shostakovich is one of the bravest people who ever lived. Despite the ever-present fear of death or deportation to the gulag, which was the fate of many artists during Stalin’s “Great Terror,” Shostakovich introduced satirical tropes into his music. : An indication of his resistance is heard, of course, but the composer. gambling is that a tyrant and cruel ruler has no ears to hear them.

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Jews were the target for the water, but Shostakovich, who was a foreigner, incorporated Jewish music into his music, including the klezmer music at the end of “Piano Trio No. 2,” for piano, violin and cello. In 1948, when Stalin’s goons were rounding up Jewish secretaries, poets and actors, Shostakovich wrote the musical series “From Jewish Poetry.” It included pieces that a Jewish audience would have understood as a response to the difficulties of practicing their faith in the Soviet Union.

Such a song was a provocative act, a direct rebuke to Stalin. Anticipating arrest, Shostakovich kept a suitcase and slept on the stairs of his house, so that the KGB would not disturb his family home when they arrested him. But he was more than a dictator for more than 20 years, dying of natural causes in Moscow in 1975.

An essay on silence by the philosopher Ludwig Wittgenstein – not a name you’d expect to hang out with at the weekend. One of the well-known Austrian-British scholars’ comments seems to fit the behavior of Iranian football players and subversive artists. He said, Since a person cannot speak, one of them must remain silent.

Scholars have investigated this gnomic claim for decades. Does Wittgenstein encourage us to turn our lips to the ineffable things that are beyond human understanding? Whatever it means, it may be a confirmation of non-verbal consistency, such as the last word in a continuing appeal.

Image of the day shown

Shilpa Shetty photographed at the launch of her new restaurant with Viaan’s children, Samisha


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